filmbeelden en krantenberichten roept hij in een ‘ritmiese typografie’ de beelden en geluiden op van de stad in al haar vervreemdende wanorde
in which Burt Topper’s War is Hell exists only in a fifteen-minute cut
left alone in a world full of sympathizers and enemies
of reality and its distortions
Tjitske Jansen en Radna Fabias
The Territory Is Not the Map The Nonconformist's Memorial filmbeelden en krantenberichten roept hijMarlia Garcia (trans. Hilary Kaplan) Airports, backpacks, dictionaries, hemispheres, The Territory Is Not the Map is a journey across Marlia Garcias poetry. The distance between territory and map, a journey and the language used to write about it, the distance between languages. There is no straight line from one to the otherhere there is displacement. Garcia takes on this displacement, exposes it by cutting, pasting, dismantling words; repeating and