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A proponent both as a critic and painter of the American realist school he must have enjoyed the irony of winning second prize to Picasso’s first at the Carnegie Institute’s International Exhibition of Modern Painting in 1930
a superb quality portrait by an unknown artist from the second half of the eighteenth century
lover or even a complete stranger sat at an adjoining table
the scion of two of New York’s wealthiest families
Perhaps the earliest LGBT+ referenced painting we’ve yet had at P & H……
Even if you can’t see me I’ll be with you. Yes I will reserved A proponent both as a
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