Aerosmith/CA,USA 08.22.1984 Marco Moir Master Edition MA，USA 1972 are as satisfying to listen

are as satisfying to listen to as the April 21st performance in Sweden Rand

but the first and second times were on the same night and on the same stage

DARLING April 20

Louie Louie 8

・February 7th: Hokkaido Welfare Pension Center ・February 8th: “DEFINITIVE SAPPORO 1983 2ND NIGHT” ・February 10th: Fukushima Cultural Center ・February 12th “MILITARY GARRISON (Utsunomiya)” ・February 14th “ ULTIMATE SIN (Osaka)” ・February 15: Osaka Festival Hall ←★This work★ ・February 16: Kyoto Kaikan ・February 18: Osaka Welfare Pension Hall ・February 21 “MILITARY GARRISON (Nagoya)”・February 22nd “DEFINITIVE BUDOKAN 1983” ・February 23rd “PYTHON MAGNUM” *Note: Only representative works are shown on each day

Aerosmith/CA,USA 08.22.1984 Marco Moir Master Edition MA，USA 1972 are as satisfying to listenThis nearly complete recording of the August 22nd San Diego concert, taken from the North American tour shortly after Joe and Brad returned in 1984, is available for 1 hour and 39 minutes from the original audience master recordings of Marco Moir, a taper whose work has been the subject of much discussion since its recent release. Originally owned by the legendary California taper, who was active from the mid '80s to early '90s, roughly the same time